Fall 2019

Editorials

The Spirits of ’89 by Daniel McCarthy

Essays

Film & Stage

The Cinema of Self by Noah Millman

Books

Austrian Lessons for American Security by William Anthony Hay
Big Men on Campus by Todd Seavey
Nussbaum’s Surprising Conservatism by Anthony M. Barr
Philly Blues by Nicole Gelinas
Republican Carnage by Fred Barnes
White Whales by James Poulos

Poetry

All Hallows by J. M. Jordan
For That Which Has Fallen by Andrew Frisardi
Hunger by Susan Delaney Spear
Nooses by J. P. Celia
Remains by Susan Delaney Spear
The Old Logging Road by J. M. Jordan

Current Issue

Social Justice as Elite Strategy

by Gene Callahan
Religion and Empire, Inseparable

by Dominic Green
Flannery at 100—and Forever

by Chilton Williamson, Jr.

Most Popular

Moderation as Pursuit of Justice

Daniel J. Mahoney

John Kekes and Aurelian Craiutu ask what virtues make a society truly good.
How “The Brutalist” Brutalizes History

Noah Millman

And everything else the supposed “masterpiece” touches.
Classical Education’s Thriving Counterculture

Mark Bauerlein

There should be more schools like Cardinal Kung Academy.
A Hayekian Defense of Ordo Amoris

Gene Callahan

J. D. Vance is right: charity begins at home.
“Nosferatu” Defanged

Nic Rowan

Reimagined by Robert Eggers, the classic horror film is a shadow of its former self.

Spotlight

March 10

•

Geoff Russ

Is Canada Over?

George Grant’s “Lament for a Nation” shows how a weak sense of identity threatens a country’s survival.

February 25

•

Marla Braverman

The Horror, the Humor

Returning to the Heart of Darkness on its 125th anniversary.

February 26

•

Robert Royal

1492 and Multiculturalism

From 1992: how identity politics skews five centuries of American history.

Departments

Subjects

Subscriptions

Newsletter

The latest essay every day.