Fall 1989
- Burke’s Influence on the Imagination of Walter Bagehot by Dan Ritchie
- Correspondence by Editors
- Liberalistic Order by Nancy Maveety
- Modernization by Paul Gottfried
- Notes on Unamuno by William F. Rickenbacker
- Politicizing Literature by Richard Cronin
- Solzhenitsyn, the Creative Artist, and the Totalitarian State [edited with an introduction by Brian Worthington] by Q. D. Leavis
- The Incubus of Deconstruction by Editors
Reviews and Comments
- Abiding Elements by Gerhart Niemeyer
- Notes on Contributors by Editors
- The Acton Legacy by James V. Schall
- The Artist-Believer by Eileen Gregory
- The Critical Voice of Henry James by Stephen Gurney
- The Failure of Liberal Humanism by Russell Hittinger
- The Liberation of Cervantes by Noël M. Valis
Current Issue
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Social Justice as Elite Strategy
by Gene Callahan
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Moderation as Pursuit of Justice
by Daniel J. Mahoney
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So You Want to Be Joan Didion . . .
by Hannah Rowan
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Vic Milione’s Counterrevolution
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The Return of the Gladiator
Ridley Scott’s sequel tries to revive the historical epic—with mixed results.
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Capitalism’s Hidden Heroes
“Middleman minorities” reveal the free market’s strengths—along with their own.
Founded in 1957 by Russell Kirk and Henry Regnery, Modern Age is a journal of conservative thought and a magazine devoted to culture, history, philosophy, and the ideas behind the great currents of modern life. Follow us on X @ModAgeJournal
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