Dead sentiments walking at this year’s Academy Awards ceremony.
A new film about desire fails to satisfy, but a recent production of Shakespeare does.
The Northman and Fat Ham present tragic and comic reinterpretations of the prince of Denmark’s revenge tale.
A new adaptation of the Scottish play sets aside supernatural terror for court intrigue
“Last Night in Soho” tests whether we can see the past as anything other than more of the present.
The tale of the Green Knight is retold for the movies while a race-themed remake of Waiting for Godot comes to Broadway.
A 10-part film series made for Polish television at the close of the Cold War dramatizes the sterility of a world bereft of faith in grace.
What does a rewatching of the three Godfather films reveal? That it was always Michael’s story to tell.
The Netflix superhit sees chess not as a grand, global metaphor but as a path to one woman’s self-healing.
Playhouses are closed but the show must go on—and some Zoom performances are powerfully affecting experiences.
Founded in 1957 by Russell Kirk and Henry Regnery, Modern Age is a journal of conservative thought and a magazine devoted to culture, history, philosophy, and the ideas behind the great currents of modern life. Follow us on X @ModAgeJournal
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