A post-apocalyptic franchise finds the way back to civilization.
The sitcom legend blames political correctness for today’s unfunny entertainment.
A new Exorcist-era movie shows how the obsession with fame can be connected to possession by even darker forces.
Were the family and firm made and unmade by capitalism—or by their own choices?
A new film from A24 is less interested in MAGA-bashing than in the consequences of provoking conflict.
Ralph Fiennes and the Shakespeare Theatre Company bring a timely tragedy of succession to the nation’s capital.
An FX miniseries about ancient Japan raises the standard for mass-market television.
Napoleon, Oppenheimer, and other historic figures shrink on the silver screen.
The recent films Barbie and Poor Things try to reinvent the woman—and fail.
In Asteroid City, directorial control competes with the free play that gives life to cinema.
Founded in 1957 by Russell Kirk and Henry Regnery, Modern Age is a journal of conservative thought and a magazine devoted to culture, history, philosophy, and the ideas behind the great currents of modern life. Follow us on X @ModAgeJournal
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