The director who plumbed the dark depths of consciousness died this week.
And everything else the supposed “masterpiece” touches.
Reimagined by Robert Eggers, the classic horror film is a shadow of its former self.
His Sixties nostalgia is misplaced, on draft-dodging and much else.
Salesman in China and Wim Wenders’s Perfect Days are brilliant cultural mirrors.
Ridley Scott’s sequel tries to revive the historical epic—with mixed results.
The “Forrest Gump” team returns with a film about how inheritance shapes us.
He exposes the absurdity of anti-racism: if everyone’s racist, then no one is.
Founded in 1957 by Russell Kirk and Henry Regnery, Modern Age is a journal of conservative thought and a magazine devoted to culture, history, philosophy, and the ideas behind the great currents of modern life. Follow us on X @ModAgeJournal
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