Noah Millman is theater and film critic for Modern Age.
“Last Night in Soho” tests whether we can see the past as anything other than more of the present.
The tale of the Green Knight is retold for the movies while a race-themed remake of Waiting for Godot comes to Broadway.
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From the British class system to cloning and artificial intelligence, the relief of man’s estate comes at the cost of his soul in the works of this master.
What does a rewatching of the three Godfather films reveal? That it was always Michael’s story to tell.
The Netflix superhit sees chess not as a grand, global metaphor but as a path to one woman’s self-healing.
Playhouses are closed but the show must go on—and some Zoom performances are powerfully affecting experiences.
What classic doomsday movie best anticipates the COVID-19 lockdown? The answer is unexpected.
Ivo Van Hove’s “West Side Story” and Sam Mendes’s “1917” show ways in which plays and film are trying to adapt to the smartphone era—with mixed results.
From Slave Play and Heroes of the Fourth Turning onstage to The Lighthouse in cinemas, history haunts American drama today.
As the debate about cinema vs. movies rages, two recent personal films prove that not everything is for everyone—and that’s OK
Founded in 1957 by Russell Kirk and Henry Regnery, Modern Age is a journal of conservative thought and a magazine devoted to culture, history, philosophy, and the ideas behind the great currents of modern life. Follow us on X @ModAgeJournal
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