Noah Millman is theater and film critic for Modern Age.
Machines are mirrors for humanity in two new films and a recent play.
Salesman in China and Wim Wenders’s Perfect Days are brilliant cultural mirrors.
The director who plumbed the dark depths of consciousness died this week.
And everything else the supposed “masterpiece” touches.
The Zone of Interest is a very different kind of horror, and Holocaust, film.
A new film adaptation of Frank Herbert’s cult classic asks whether heroes truly get to choose their fate.
Napoleon, Oppenheimer, and other historic figures shrink on the silver screen.
The recent films Barbie and Poor Things try to reinvent the woman—and fail.
In Asteroid City, directorial control competes with the free play that gives life to cinema.
Dead sentiments walking at this year’s Academy Awards ceremony.
Founded in 1957 by Russell Kirk and Henry Regnery, Modern Age is a journal of conservative thought and a magazine devoted to culture, history, philosophy, and the ideas behind the great currents of modern life. Follow us on X @ModAgeJournal
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