Noah Millman is theater and film critic for Modern Age.
The Zone of Interest is a very different kind of horror, and Holocaust, film.
A new film adaptation of Frank Herbert’s cult classic asks whether heroes truly get to choose their fate.
Napoleon, Oppenheimer, and other historic figures shrink on the silver screen.
The recent films Barbie and Poor Things try to reinvent the woman—and fail.
In Asteroid City, directorial control competes with the free play that gives life to cinema.
Dead sentiments walking at this year’s Academy Awards ceremony.
A new film about desire fails to satisfy, but a recent production of Shakespeare does.
The Northman and Fat Ham present tragic and comic reinterpretations of the prince of Denmark’s revenge tale.
A new adaptation of the Scottish play sets aside supernatural terror for court intrigue
“Last Night in Soho” tests whether we can see the past as anything other than more of the present.
Founded in 1957 by Russell Kirk and Henry Regnery, Modern Age is a journal of conservative thought and a magazine devoted to culture, history, philosophy, and the ideas behind the great currents of modern life. Follow us on X @ModAgeJournal
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